Tale As Old As Time

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Disney’s Beauty and the Beast has all the ingredients needed for a great story–rivalry, conflict, an angry mob, a beautiful woman, and an eventual, yet unpredictable romance. In one “corner”, you have “the Beast” who, at one point was a handsome, yet frigid and egocentric prince. However, due to his selfishness, he has been transformed into a cursed, almost loveless monster. The  narrator even rhetorically asks, “who could ever learn to love a ‘beast?’” The obvious answer to this is, “no one.” In the other “corner” is every woman’s dream; handsome, capable, and patriarchal Gaston. Caught in between is Belle, the most beautiful girl in town. However, where there is beauty, there is also “otherness” (and not in a good way). The women of the town sing, “It’s a pity but a sin, she doesn’t quite fit in…very different from the rest of us is Belle.” The truth is, Belle is an intellectual with her “nose always in a book” as the townspeople say. For a town that worships Gaston’s patriarchy, any woman, no matter how attractive, can become an eventual victim due to her “otherness.” Within the first few minutes of the film, the stage is set for quite the thriller.

Early on, Gaston makes his intentions to Belle clear: he desires her hand in marriage. However, Belle sees right through Gaston’s shallowness, and brushes him aside. After doing so, Belle’s father, Maurice (yet another outsider according to the general consensus of the town’s people), is noticed tinkering around on his latest “invention”. Gaston’s abused and invalidated sidekick, LeFou, even goes-so-far as to label Maurice “crazy”. At this point in the story, three potential scapegoats have been identified: a “beast,” a “sinful” woman, and an “insane” elderly man. Potential will soon become actualization with the semblance of an angry mob. However, before that happens, our eventual scapegoats will meet in a chance encounter that will end up changing their lives forever.

When Maurice stumbles upon the Beast’s castle (under the same “curse” as the Beast himself), he witnesses the horrid psychological truth of what being an “outsider” of society does to someone. The Beast responds to his unannounced “guest” by promptly locking Maurice away, threatening him with “life in prison” for what we would simply deem “trespassing” (a cruel and unusual punishment indeed!). In his inhospitable treatment of Maurice, the Beast lives up to his name. However, when Belle shows up in search of her father (after spurning Gaston‘s advances yet again), the Beast is introduced to self-giving love when she offers herself to the Beast in exchange for her father’s freedom. For the first time in what probably seemed like forever, the Beast witnesses true humanness. Back at home, however, something was taking place that begins to coalesce the community against the very one whom Belle freed, namely, Maurice.

After his release from captivity, Maurice begs for the townspeople to come rescue Belle, which Gaston and the community interpret as nothing more than “crazy Maurice acting like he always does”. This time, however, Gaston sees his chance to use Maurice to manipulate Belle. Gaston hatches a scheme to have Maurice arrested for insanity if Belle does not marry him. Unbeknownst to him, Belle was with the Beast, who would quickly soften his ways.

Although Belle and the Beast’s relationship starts on shaky ground, they eventually begin to grow fond of each other. For the first time, we begin to see the human side of the Beast. Where once there was anger, disdain, and bitterness, now there is love, gentleness, and kindness propagating within him. However, the blossoming relationship gets cut off when Belle learns, through a magic mirror, that her father is lost in the woods and is in serious peril. When the Beast allows Belle to leave to attend to her father, he not only gives up the ability to become human again (as Belle’s kiss would have broken the curse), but discovers what it means to be “human” (in the giving up of one’s “self” for another).

After Belle rescues her father and brings him home, Gaston and the mob show up to unleash his master plan. However, after a third rejection, Gaston has had enough, and along with LeFou, begins to incite a riot. To prove her father’s sanity, Belle shows the image of the Beast in the magic mirror. Belle’s insistence that the Beast is kind incites Gaston’s jealousy as he notes the affection in her tone. He accuses Belle of being “as crazy as the old man.” In discrediting Belle by associating her with her father’s alleged lunacy for defending the Beast, Gaston manages to scapegoat all three at once and harden the mob against them. Once the angry mob witnesses the roaring Beast, all hell breaks loose. The hunt is on and nothing can stop the murderous frenzy. The song they sing while traveling to the Beast’s castle is a classic case of a frenzied mob which, with little modification, could have easily been sung at the Sanhedrin trial of Jesus.

[Gaston:] The Beast will make off with your children.
[Mob:] {gasp}
[Gaston:] He’ll come after them in the night.
[Belle:] No!
[Gaston:] We’re not safe till his head is mounted on my wall! I
Say we kill the Beast!
[Mob:] Kill him!
[Man I:] We’re not safe until he’s dead
[Man II:] He’ll come stalking us at night
[Woman:] Set to sacrifice our children to his monstrous appetite
[Man III:] He’ll wreak havoc on our village if we let him wander free
[Gaston:] So it’s time to take some action, boys
It’s time to follow me!
Through the mist
Through the woods
Through the darkness and the shadows
It’s a nightmare but it’s one exciting ride
Say a prayer
Then we’re there
At the drawbridge of a castle
And there’s something truly terrible inside
It’s a beast
He’s got fangs
Razor sharp ones
Massive paws
Killer claws for the feast
Hear him roar
See him foam
But we’re not coming home
‘Til he’s dead
Good and dead
Kill the Beast!
[Belle:] No! I won’t let you do this!
[Gaston:] If you’re not with us, you’re against us!
Bring the old man!
[Maurice:] Get your hands off me!
[Gaston:] We can’t have them running off to warn the creature.
[Belle:] Let us out!
[Gaston:] We’ll rid the village of this Beast. Who’s with me?
[Mob:] I am! I am! I am!)
Light your torch
Mount your horse
[Gaston:] screw your courage to the sticking place
[Mob:] We’re counting on Gaston to lead the way
Through a mist
Through a wood
Where within a haunted castle
Something’s lurking that you don’t see ev’ry day
It’s a beast
One as tall as a mountain
We won’t rest
‘Til he’s good and deceased
Sally forth
Tally ho
Grab your sword
Grab your bow
Praise the Lord and here we go!
[Mob:] We don’t like
What we don’t understand
In fact it scares us
And this monster is mysterious at least
Bring your guns
Bring your knives
Save your children and your wives
We’ll save our village and our lives
We’ll kill the Beast!

Although the mob is thwarted by the enchanted objects of the castle, Gaston is able to slip through the crowd; making his way up to the Beast. What he discovers is a hopeless and defeated Beast. With the loss of Belle, there was a loss of love, and thus, of life. However, once the Beast sees Belle running toward the castle, he is reinvigorated and begins to defend himself from Gaston’s assault. Because of the Beast’s overpowering strength, he is able to control Gaston, and has the opportunity to destroy him. However, the Beast is able to find his humanness and forces the evil within him out: choosing peace. Once mercifully released, Gaston does not return the favor and stabs the Beast in the back. In doing so, Gaston loses his footing and falls to his doom.

The final scene is a beautiful metaphor for the Gospel story. Although the Beast has the opportunity to easily wipe out Gaston (a la Jesus in the Garden of Gethsemane), he chooses compassion and mercy. Because of this, he is brutally murdered. However, that is not the end of the story as Belle, who is the embodiment of love, resurrects the Beast and restores the castle and her staff (apokatastasis). Because of the Beast’s conversion to grace, he in essence allows his enemy to slay him; but because of love, the curse that had been in place for ages (aionios) is destroyed. As one who holds to the doctrine of universal reconciliation, this is a beautiful ending to the story.

MattMatthew Distefano is writing his first book on universal reconciliation and advocate for non-violence. He lives in Northern California and is married with one daughter.

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For more in Matthew’s Disney Princess series, see:

Cinderella: Happily Ever After

Beauty and the Beast: Tale As Old As Time

The Little Mermaid: Under the Sea

Alladin: A Whole New World

Frozen: Love Will Thaw a Frozen Heart

Tangled: Let Down Your Hair

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5 replies
  1. Tom Truby
    Tom Truby says:

    “Universal reconciliation.” I like that. It rings differently that “universal salvation” and feels right to me.

    Reply
  2. Dan Hinkle
    Dan Hinkle says:

    Hello Hiding Tall White Guy,
    Well written. I enjoyed it. You help me understand Mimetic Theory better through Dis ey story telling. Thanks.
    Miss you already my new friend. Be at peace.

    Dances with the Wind

    Reply
  3. jim
    jim says:

    Lovely! I like the insight about “otherness!” One can be “other” regardless of circumstances. There were 3 different ones and even the “beauty” was labeled due to the memetic desire of Gaston.
    i also appreciate the references to “humanness.” The journey was away from myth to humannes and therefore completeness.

    Reply
  4. Matt
    Matt says:

    Thanks guys! Dan, I hope I can help you in understanding MT. I know concepts can be hard to see but real examples can always provide education. Thanks for the nice words guys. Love y’all

    Reply

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